Full-color reproduction of the autograph score with the first 28 pages reproduced with photo enhancement, completely restoring the middle voices of the now severely faded manuscript. By it had been given no fewer than two hundred times at the Freihaus Theater alone. Owing to its unusual degree of popularity, vocal scores of its musical numbers appeared in separate editions from two different publishers in late autumn of This applies not only to the twin layers of short score and orchestrated full score, but also to the later stages in the compositional process.
Various kinds of alterations become visible particularly in erasures, overwriting and deletions. Bibliophile edition, in 3 volumes, bound in dark brown quarter leather with beige linen boards. Facsimile of the autograph score held in the Austrian National Library. Kassel, Oblong, 35 x 26 cm, 40, pp.
Traduit en grec. Kolomiiets, Lada Ukraiinskyi khudozhniy pereklad ta perekladachi rokiv [Ukrainian Literary Translations and Translators in the ss]. Certainly, Italian communities abroad looked up to him. We know, in fact, that previous works Vita nuova and Convivio had been characterized by a mix of poetry and prose. Specifically, Ronsard "appropriates Petrarch's voice and at the same time appropriates the 'story' of the Rime as it were from within" Memorie di Ernesto Falcon. One of them is the Rouge Coco Lipstick.
Limited bibliophile edition produced on natural paper with individually trimmed pages. Quarter leather with decorative paper boards. Mozarts Seelenmesse. Herausgegeben und mit einem Nachwort von Markus Eberhardt. Faksimile-Edition Rara, Oblong, 35 x 26 cm, , vi pp. Line-cut of the first edition, Leipzig, Hardbound in decorative paper which reproduces the original binding.
Musica di Giacomo Puccini. I: facsimile della copia di lavoro del libretto.
II: trascrizione e commento. Edizione e commento a cura di Gabriella Biagi Ravenni. Centro Studi Giacomo Puccini - Testi e documenti, 2. Florence, The complete text of the libretto of Tosca, with additions, corrections, glosses, page proof fragments, musical sketches, and sketches of stage settings. Illica, Giacosa, Ricordi and Puccini worked together on Tosca and established an intense professional relationship, which is brilliantly reconstructed in this well-documented volume. A fascinating insight into the creative process and a detailed description of the genesis of Tosca.
Faksimile-Edition Kammermusik des Barock, 5. Oblong, 31 x 23 cm, pp.
Line-cut of the Paris, edition short score. Hardbound, with boards in decorative paper. Herausgegeben von Bert Hagels. Oblong, 32 x 24 cm. Facsimile of the autograph score Mus. Ries 8N, preserved in the Staatsbibliothek Berlin.
The first facsimile edition of a work by Ries. Oblong, Full-color reproduction of the original autograph including the separate parts for harmonium and second piano. The Petite Messe solennelle was dedicated to the Contessa Louise Pillet-Will the count and countess were close friends of Rossini , and the first performance inaugurated the splendid new residence that the count had commissioned in Paris. The use of two pianos and harmonium may at first seem odd but given its context as a salon piece is appropriate.
Rossini composed hardly at all in the period to but after returning to Paris in wrote quite a few works for private audiences. Thou knowest well, I was born for comic opera. A little science, a little heart, that is all. So bless Thee and grant me Paradise!
Limited edition of copies bound in dark brown linen, with matching slipcase with embossed signature of Rossini.
Drammaturgia Musicale Veneta, 1. Oblong, 30 x 23 cm. La finta pazza The feigned Madwomen , with libretto by Giulio Strozzi, was premiered during the Carnival season of inaugurated by the newly created Teatro Novissimo. A variation on the story of Achilles on Skyros, its incredible success was attributed to the presence of the diva Anna Renzi, the amazing stage machinery of Giacomo Torelli, combined with remarkable music with extremely sophisticated relation between music text.
http://ftp.mail.ruk-com.in.th/la-muerte-de-la-mariposa.php It was the first opera performed at the French court in , leaving a huge impact on the young Louis XIV. Mit einem Kommentar von Elisabeth Schmierer. Introduction in Ger-Eng. With a Commentary by Ulrich Konrad. Full-color facsimile of the autograph score issued on the occasion of the th anniversary of Wagner's birth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. While working on the score to Tristan und Isolde, Richard Wagner expressed his excitement and elation about his new musical drama.
Indeed, the radical originality of the work proved to be both unique and forward-looking: Over years ago it signified the dawn of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even clear handwriting, always striving to produce manuscripts of a high calligraphic standard.
The Tristan manuscript is an example of this but it also bears traces of his working process.
It is precisely this aspect of the autograph that makes it fascinating. It evokes the aura of a singular individual. Commentary in Eng-Ger. Hardbound, with leather spine and decorative paper boards. Partiture in facsimile, edizione dei libretti, saggo introduttivo a cura di Francesca Menchelli-Buttini. Oblong, 29 x 23 cm,f lv, pp. Line-cut of contemporary manuscript copies. This 10th volume in the series Drammaturgia Musicale Veneta consists of a facsimile edition of the scores for the intermezzi Le rovine di Troia Dragontana e Policrone by Antonio Lotti, Melissa contenta by Lotti or Francesco Gasparini, and Cuoco e Madama La preziosa ridicola , whose attribution to Antonio Caldara is uncertain.
The first two operas, performed at the Teatro San Cassiano, Venice, in , attest to the beginning of a genre, whereas the Viennese setting for Cuoco e Madama, dated , is evidence of its dynamism and popularity. As a consequence, the original scenario was constantly subject to variations, at times significant in terms of form and content. Li due Baroni. Commedia per musica in 2 atti. Lucca, Critical edition of the full score. Canticles and Anthems with Orchestra.
Edited by Donald Burrows. Modern critical edition. William Croft's career as the leading native-born composer of English church music was established in the period between the death of Purcell and the arrival of Handel in London. His education took place among musicians from Purcell's circle, and his style was modified by the influence of Handel's 'Utrecht' Te Deum and Jubilate of All the music in this volume was composed for various royal church services that took place between and , in the Chapel Royal at St James's Palace and in St Paul's Cathedral.
The contents include the Te Deum and Jubilate Deo, sung at the coronation of George I, and the anthems The Lord is a sun and a shield, O give thanks unto the Lord, and call upon his name, O give thanks unto the Lord, for he is gracious, and Rejoice in the Lord, O ye righteous. Transcribed and Edited by Jonathan P.